整理/秦珍子 制圖/董怡璇

我手寫我口

　　我所寫的都是我想說的話。即用自己的語言寫出自己心中所想的真情實感。它是晚清黃遵憲詩歌革新理念在其詩作中的形象化表達，具體包括兩方面含義：一是言文合一，口中想說的即是筆下所寫的，不受古文限制，表達上更為自然、自由；二是言為心聲，心、口、手一致，不受傳統思想道德的束縛，一切新事物、新思想皆可入詩。這種創作理念對于后來的五四白話文運動有著顯著影響。

I Write What I Want to Say

　　This concept, used by Huang Zunxian of the late Qing Dynasty to promote reform in poetry, advocates that one should write what one sees and thinks, unrestricted by the old writing style or traditional moral values. Such writings are more natural and free in expression, and can express all new things and new ideas. This approach to writing had a significant influence on the later vernacular language movement.

引例

　　沖口出常言，法度法前軌。人言非妙處，妙處在于是。（蘇軾《與明上人二頌》）（平常的話語沖口說出，而又無不符合前人法度。有人說這樣的表達不夠精妙，而我認為這正是詩的精妙之處。）

　　Everyday words are naturally spoken, yet they are always in accordance with the principles of the previous generations. Some people say such expression is not subtle, but I think this is where the subtlety of the poem lies. (Su Shi: Two Poems for Monk Ming)